2022 in a few paragraphs

Well, my last blog in March was called 'on the road again' and I think I didn't get off the road this year! I love writing my blog but it has been the last thing in a long list of things this year so while I have a moment I will try and sumarise the year I've had.

After moving house and the pandemic things were very upside down along with working two jobs as well it was all a bit much but now, I've managed to just have one job and my art, but we are moving again!

This year started with me having time to create new works with a little bit of colour after spending a few years painting quite dark. Maybe we were all emerging from a dark time? I took part again in the Belper Art Trail, Derbyshire Open Arts, Haddon Hall and the Bonsal Trail and I was happy to be back at Cromford Mills Artisan Market again.

 After Easter I was excited to be approached to create nine commissions, eight of Ashbourne shop fronts and one personal. So, from then on, every week was taken up with those so it may seem I haven't painted many this year to those that are following me but I can assure you I have been super busy art-wise. Please visit Cafe Impromptu  Ashbourne where you can see all eight shop fronts on the wall as prints.

Cafe Impromptu Ashbourne, where you can see all eight commissioned paintings as prints.

Also, this year has been the welcome return of doing art demos at art groups it started off with everyone feeling nervous and wearing a mask but has ended with it being more like old times fingers are crossed it stays that way! 

Finished art demo painted at Hinkley Art Group

The year ends with me working on another commission, this time a house portrait, so I am very happy how my year has gone. It is nice to place a canvas on an easel and know you are working on something special.

Next year's plans are to exhibit with Peak District Artisans again as well as have my own exhibition of recent works at Banks Mill Studios. 

Oh yes we are moving house again! We left Belper a couple of years ago but we have missed being there so much so we are moving back on my website you will see I have painted the streets of Belper many times there is always something new to see so that is a very exciting thing to look forward to in the new year!

Please enjoy the Christmas period and hopefully, I will see you in the new year!
 

Guest Blog by David Walker of Yoxall Art Group.

The Art of Stylisation by David Walker, Yoxall Art Group.

Fresh from the detailed article on her painting “Christmas Eve at Castleton” in the journal “Paint” (The Magazine of the Society for All Artists) Ruth Gray entertained the members and guests of the Yoxall Art group on 8th November with an excellent demonstration of her stylish, abstracted painting techniques.

Demo at Yoxall Art Group picture by David Walker

The audience was immediately involved in the chosen image of the day, a view of George Street in Hastings, East Sussex.  Ruth had pre-prepared the canvass by sketching the outline in watercolour  marker pen.  That immediately drew gasps of disbelief from the audience, but Ruth did assure them that the water based marker would be washed away as she continued the work.  The original sketch was certainly robust, but as soon as the work began you could see how the method worked to achieve the expected result.  A key advantage of using the watercolour pen was, unlike charcoal or pencil, there was no shiny residue to contend with.

Ruth then discussed her choice of acrylic paints and her colour palette.  Having lived in Australia for a time she much preferred the Atelier brand which was developed, and is manufactured in that country. Atelier is much more forgiving in the drying problem which can make using acrylic paint difficult.  This development was probably because of higher temperatures in Australia meaning an even bigger problem of paint drying on the palette, especially when working “en plein air”.  In the more moderate UK the paint, when protected by a plastic bag, was still usable the next day.

Picture by David Walker 

She then started in earnest on the work, starting by brushing in the sky and foreground, with large, bold strokes.  This initial work was revisited later to add some of detail.  Then the emphasis immediately changed to the dark tones and immediately you could see the wisdom of her choice of the watercolour pen.  The outline of the people was also undertaken in the dark tones.

She then progressed through the mid tone colours and eventually on to the general highlight colours.  The spot and highlight colours were then added as part of the finishing process adding details to people, buildings, signs and flags to arrive at the final painting.

Within a couple of hours Ruth had produced a wonderful representation of George Street, that would not be out of place in any living room!  Of course, there was some finishing of detail still required, this would be added later after a period of drying.

Work in Progress. Picture by David Walker

All told an exciting and instructive demonstration by a very competent and respected artist.  Everyone took in new ideas and thoroughly enjoyed the day.  Ruth’s website http://ruthgrayimages.net  is well worth a visit!